Today PhaseOne released the version 10 of CapturOne, I still have to test in deep the new version and I plan to do some tutorials about it in the next days (yes, Christmas time is perfect to work on more personal projects) but for now I want to tell why I switched from Adobe ACR (or Lightroom) to CaptureOne. As many photographers I never explored RAW converters before, everybody was using Adobe, I was using Adobe. Photoshop is really a standard in image editing and I used it to retouch my scanned images well before the digital cameras became the norm. When I got my first digital it was the normal choice to convert the RAW in ACR, and I continued for years with the same workflow. When I changed from film to digital I was stuck in photographic mental crisis. With film I used the Fuji Provia a lot for my commercial assignments, and that was meaning the need to be able to have perfect light and exposure. The tolerance of the Provia was a maximum of a third of a stop, and to be precise, when I used it in the view camera, I considered the tenth of […]
A love story with a little hate feeling. Last year I bought a new Fuji X-Pro-1, it was a great deal few days before the XPro2 was on the market, I bought it as a camera to keep in my pockets not really as a serious option but I loved it since I started to take the first pictures. I even bought a second one used and converted it to infrared. The quality of the RAW file is incredible and so the quality of the lenses. I really enjoy the OVF and the option to switch to EVF sometime. Low or high ISO the quality is superb and I started to bring the camera with me always, something that I was not doing with the much bigger and heavier Canon 1DSMkIII I own. Every single time I develop the RAWs I like it a little more. So I cannot be happier and I hope I will get the X-Pro-2 very soon. But… I hate absolutely all the buttons and wheels that get pushed and moved anytime I take the camera in my hands from the bag. The macro function seems made only to make me worry that the OVF/EVF switch […]
I always enjoyed infrared photography, starting with the Kodak Infrared film I always had great satisfaction exploring the infrared part of the spectrum. When I switched to digital photography I forgot infrared for a while until I got my Canon 5D converted to infrared by LifePixel. The conversion was great, the support was perfect but when the camera was sent back to Italy the italian customs asked me to pay the taxes not only on the modification but also on the value of the camera. At the end of the game I had to spend around 700 Euros for a conversion that costs usually $300. I decided to convert a Fujifilm X Pro 1 to infrared and this time I decided to try to do it myself buying the filter directly in Italy from Adriano Lolli Costruzioni Ottiche Meccaniche and avoiding all the import costs. The choice of the X Pro 1 was very simple. I had bought a new X Pro 1 with the 18mm when the new model came around, I did it because was really a great deal (450 Euros included an extra battery, a memory card and the leather bag, since than the price […]
The case of the evident modification in the prints by McCurry exposed at an exhibit in Italy had created a big debate online between photographers. I don’t know McCurry and I’m not evaluating his work or his “right” to do what he wants with his pictures. I want to be more general and answer to the questions posed by the recent debate about his modifications. The article that made me write is the recent article by Alex Cooke I read on Fstoppers. Alex Cooke arrives at the point to tell there is not the truth and using a physicist like Richard Feynman as “master at deconstructing the idea of the absolute” to confirm his relativism, an interpretation of Feynman absolutely absurd and wrong since in the posted video Feynman does exactly the opposite: he simply state that to explain a truth you must keep at the level the audience can understand, not that there are no absolutes. The electric force is an absolute! To get back to photography we must first of all understand that the relativism is a wrong concept, in communication and in life. The truth exists and the only problem, eventually, is the limited view of the […]
Do you want to have a solid base to understand the photographic process? This book is for you! You can be a beginner amateur or a professional photographer but if you want to easy understand what is involved in the photographic process to make the correct decisions you need to have strong and clear basis. The book contains the essential basic concepts to understand the photographic process. The author is explaining all the concepts and rules photography is based on, giving a general theory. Luigi’s book talks about everything from f stops to file formats, the difference between JPG and TIF and how image scaling and DPI relate. His section on how camera, computer monitor and printer color calibration works is explained so well, you’ll never forget it (just think toast). It even has in-depth explanations on photo composition, HDR (High Dynamic Range) photography, depth of field, printing your images, publishing, and more. Luigi’s English is pretty good yet his lovely Italian flavor and sense of humor still come through. You can buy the book on Amazon or directly on CreateSpace
Sometime we are so busy taking pictures with our digital cameras that we forget to actually look for the right moment. A roll of expensive film, a simple camera without displays, histograms, 10 frame per seconds, auto focus and we can free our mind again from the tool and concentrate to the moment. Yes, I love digital photography and all the opportunities that it offers to us just, once in while, is worth to create a cathartic experience and relearn what is really important. Only 36 frames, a day to spend in a place. I had to walk around and really look for an interesting subject and avoid to waste a picture opportunity on something not worth. Walking around, looking around and, once I found a nice scene with a good composition, just wait for something to happen. In this case was a storm with a lot of rain and the sun appeared illuminating the rain with its rays. Sometime we must think film also with our digital camera, be patient and take the one good picture instead of thousand of mediocre images.
I started to take some pictures with my IR converted EOS 5D by LifePixel and I’m having a lot of fun! Every weather situation is different and can provide an original interpretation of the subject, even the fog that is usually not the best scenario for IR, can come out pretty good. All the pictures are elaborated with CapturOne 9. Saving in jpg to share BW on internet is a crime and you can see it form the banding in the sky… bust still Internet does not manage 16 bits files…
Here a brief tutorial that explain how to use CaptureOne8 to convert infrared RAW files generated by IR modified cameras. I had my camera modified by LifePixel and it’s a lot of fun… soon also some pictures!