Digital or Film? Fuji Acros Digital on a XPro-2 compared to Fuji Acros 100 Film on Hasselblad 6×6… who will be the winner? Few weeks ago I did a non scientific comparison between black and white digital and film, using my beloved Fuji XPro-2 and a Pentax 67 with Ilford FP4. The article got a lot of interest and was also published on Fuji X Passion magazine. I decided to improve the test and use Fujifilm Neopan Acros 100 film, instead of Ilford FP4 and Hasselblad instead of Pentax. The use of actual Acros film instead of Ilford is obvious and needed for a less casual comparison. Hasselblad instead of Pentax is because I suspected some lack of sharpness was caused by the lenses, and since I have used Hasselblad all my life and I’m sure were the best analogue medium format camera and optics, I simply wanted to eliminate every variable related to the lens. As I said before: I know that, scanning the negative, part of the process is still digital so is not perfect I do not intend to give all the answers I did this just for fun and to understand myself a little better […]
Fuji X Passion magazine featured, in the February 2018 issue, my article about the comparison between film photography with Ilford FP4 on a Pentax 67 and digital Acros simulation on Fuji XPro-2. It is always great to be published in a beautiful magazine with other extremely talented photographers. In the meantime I just developed a roll of Fuji Acros taken with my Hasselblad 500C/M and the 80mm f2.8. More later…
Is Black and white better with digital or film? I compared the Fuji Acros film simulation on my XPro-2 with an Ilford FP4 film on my Pentax 67. Lately I had the time to scan old negatives and I was pretty impressed by the quality and quantity of information available on film, so I decided to use film again, particularly for the PhoenixPhotoProject. The quality of the images created was pretty impressive so I decided to try some film in medium format. I used to work with Hasselblad but I decided to get a used Pentax 67 and have some fun with it. Next time a Pentax vs Hasselblad comaparision! I took some pictures on the snow in a sunny day. The dynamic range a the quality of the tones were great and I started to have the feeling that film can be better than digital sometime. I decided to do a simple non scientific comparison and take the same pictures with the XPro-2, in RAW and jpg with the Acros simulation, and with the Pentax 67 with a roll of Ilford FP4. The choice of a medium format film, compared to an APS-C digital is very simple, 24 MegaPixel […]
One night of lower temperatures painted the hills with beautiful fall colors, the sky was very clear thanks to some wind last night, so I took my camera and went to take a little walk this morning. Sometime is nice to just relax walking around and enjoying the beauty. All the images are taken with a Fuji XPro2 and 60mm f2.4 lens.
12TH ANNUAL BLACK AND WHITE SPIDER AWARDS HONORS PHOTOGRAPHER LUIGI BARBANO LOS ANGELES October 20, 2017 – Professional photographer Luigi Barbano was presented with the 12th Annual Black and White Spider Awards Nominee title in the category of Nature at a prestigious Nomination & Winners PhotoShow streamed Saturday, October 14, 2017. The live online gala was attended by over 11,000 photography fans around the globe who logged on to watch the climax of the industry’s most important event for black and white photography. 12th Annual Jury members included captains of the industry from The Armory Show, New York; Christie’s, London; McCann, Singapore; GQ, New York; Hot Docs Film Festival, Toronto; Y&R, Malaysia; Sharon Calahan, Pixar Animation Studios, Emeryville; Bloomsbury Auctions, London; and Donald Schneider Studios, Berlin who honored Spider Fellows with 672 coveted title awards and 1034 nominees in 31 categories. “Spider Awards 2017 proves once again to be a great challenge for the jury to select the best images of the year. Every year this photographic competition increases its quality of content, reputation and prestige” said juror Andrea de Polo, Cultural Heritage Consultant at Fratelli Alinari Photo Archive in Florence. Curator and Arts Writer Paola Anselmi added “Congratulations […]
FujiLove, a fantastic online magazine for the Fujifilm world, featured my article about the project and book “Bovisium Infrarubra”. You can read the article here https://fujilove.com/bovisium-infrarubra-infrared-photography-with-fujifilm-x-series/ Enjoy the reading! 🙂
I was reading on Swissinfo.ch, the article The breathtaking photos that showed Switzerland to the world by Marguerite Meyer (Writer), Ester Unterfinger (Photo editor) I was impressed by this picture: The picture in itself is just a good documentary photograph but what I noticed is the dynamic range (or latitude of exposure as we called it before we were trendy…). We can easily see details in the dark areas inside the gallery and we can see the details in the panorama toward the arches. Some burning was made in the darkroom and the effect is visible, but all the details were in the original plate. This was for sure a large format plate made before the industrialization by Kodak, so there was no need to save on the quantity of silver in the emulsion. You can see the same latitude of exposure in almost all the old professional pictures well exposed and developed. If you are in Italy there are some good places to watch the impressive quality and dynamic range of old films the Alinari Archive is one of the best and has a lot of publications. The rule in film was to expose for the shadows […]