Thanksgiving, a holiday I learned to celebrate. Thanksgiving is not an Italian tradition so I grew up without it. Thanksgiving is one of my preferred holidays. Every year, also when I’m in Italy, I celebrate it. I dedicate a day to think about the blessings I had in my life, I try to quit my complaining and enjoy at the fullest what I have. Today I was looking thru my parents belongings and I found a typewriter, so I celebrated thanksgiving playing with it. I let the images speak. And here the letter I wrote to remember what I’m thankful for.
Fuji X Passion magazine featured, in the February 2018 issue, my article about the comparison between film photography with Ilford FP4 on a Pentax 67 and digital Acros simulation on Fuji XPro-2. It is always great to be published in a beautiful magazine with other extremely talented photographers. In the meantime I just developed a roll of Fuji Acros taken with my Hasselblad 500C/M and the 80mm f2.8. More later…
OVF vs EVF! Let’s the bloody war begin 😉 The world is divided in two… always, that is why there is people making a lot of money selling t-shirts for opposite points of view! The users of mirrorless camera are not different, photographers loving the optical viewfinder and photographers loving the electronic viewfinder and hating each other. Since Fujifilm introduced the hybrid viewfinder with the X100 and the XPro we can have the best of both worlds and decide what to use for every picture. It is surprising for me to see, on various blog posts and comments, Fuji users hoping to have a future release of those cameras without one or the other option when Fuji made the most intelligent move leaving the choice to us. But this is not the point of this article, here I want to concentrate on what I think is the philosophical difference between the OVF and EVF. Personally, on my Fuji XPro1 I use both but mostly the OVF. When we look at an EVF we look at the camera representation of the subject on a display, when we use the OVF we look at the framed reality. Basically people that […]
Photography is not rocket science and we need few simple essential tools to learn how to make good pictures. Few days ago I wrote an article on my blog, and it was kind of viral in the photography world. Many FaceBook pages and websites re-posted it and, out of curiosity, I went to explore who re-posted my article. Some of the pages were for beginners and others for a more general public and in both categories, and specially the beginner side, I noticed that most of the articles were about cameras, software and gadgets. The idea is “what a camera with what new tool and that software can do”. Nothing bad in this but I was attracted by the comments, specially from the beginners. A lot of people asking questions like “How do I expose for portraits?”, “How do I expose for weddings?”, “What lens is best for X or Y?”, ”I’m experimenting with manual, what settings I have to start with?” and so on. I learned photography with film, mostly large format view camera and medium format Hasselblad, and every time I read questions about how to expose for a particular subject I think in the digital […]
I always enjoyed infrared photography, starting with the Kodak Infrared film I always had great satisfaction exploring the infrared part of the spectrum. When I switched to digital photography I forgot infrared for a while until I got my Canon 5D converted to infrared by LifePixel. The conversion was great, the support was perfect but when the camera was sent back to Italy the italian customs asked me to pay the taxes not only on the modification but also on the value of the camera. At the end of the game I had to spend around 700 Euros for a conversion that costs usually $300. I decided to convert a Fujifilm X Pro 1 to infrared and this time I decided to try to do it myself buying the filter directly in Italy from Adriano Lolli Costruzioni Ottiche Meccaniche and avoiding all the import costs. The choice of the X Pro 1 was very simple. I had bought a new X Pro 1 with the 18mm when the new model came around, I did it because was really a great deal (450 Euros included an extra battery, a memory card and the leather bag, since than the price […]
Do you want to have a solid base to understand the photographic process? This book is for you! You can be a beginner amateur or a professional photographer but if you want to easy understand what is involved in the photographic process to make the correct decisions you need to have strong and clear basis. The book contains the essential basic concepts to understand the photographic process. The author is explaining all the concepts and rules photography is based on, giving a general theory. Luigi’s book talks about everything from f stops to file formats, the difference between JPG and TIF and how image scaling and DPI relate. His section on how camera, computer monitor and printer color calibration works is explained so well, you’ll never forget it (just think toast). It even has in-depth explanations on photo composition, HDR (High Dynamic Range) photography, depth of field, printing your images, publishing, and more. Luigi’s English is pretty good yet his lovely Italian flavor and sense of humor still come through. You can buy the book on Amazon or directly on CreateSpace
I started to take some pictures with my IR converted EOS 5D by LifePixel and I’m having a lot of fun! Every weather situation is different and can provide an original interpretation of the subject, even the fog that is usually not the best scenario for IR, can come out pretty good. All the pictures are elaborated with CapturOne 9. Saving in jpg to share BW on internet is a crime and you can see it form the banding in the sky… bust still Internet does not manage 16 bits files…
LOS ANGELES 04-22-2015 – Professional photographer Luigi Barbano, from Italy and based in Clearwater, was presented with the 8th Annual International Color Awards Nominee title, with 4 images, in the category of Americana and Wildlife at a prestigious Nomination & Winners Photoshow webcast Saturday, April 18, 2015. The live online gala was attended by over 8,000 photography fans around the globe who logged on to watch the climax of the industry’s most important event for color photography. 8th Annual Jury members included captains of the industry from Christie’s, Paris; Frieze Art Fair, London; DB Agency, Milan; Clair Galerie, Munich; Edinburgh Film Festival; Art Beatus Gallery, Hong Kong; Gup Magazine, Amsterdam; and Eyestorm, London who honored Color Masters with 541 coveted title awards in 33 categories. “It is an incredible achievement to be selected among the best from the 7,358 entries we received this year,” said Basil O’Brien, the awards Creative Director. “Luigi Barbano’s exceptional images entered in the Americana and Wildlife categories, represent contemporary color photography at its finest, and we’re pleased to present him with the title of Nominee.” INTERNATIONAL COLOR AWARDS is the leading international award honoring excellence in color photography. This celebrated event shines a […]